moscow based multi-talent impish presents the hush lp, his latest album project that will be released through all quality physical electronic music outlets around the world october 20. working through labels such as program, c.i.a. and his own fast rising occulti music imprint impish is quickly establishing a name for himself in the global drum & bass scene. in a world that consumes more and more music in a superficial way impish manages to take a halt on the hush lp with timeless songwriting, arrangement and production inspired by live music and drum work. from effortlessly rolling tracks such as can’t feel and shadows towards more introspective vibes on changing colours and the lp’s title track a common thread runs clearly throughout the album: the aim for perfection, true craftsmanship and a drive to combine to high-quality beats and breaks with musical elements. to aid the budding artist in spreading his ethos uk based female vocalist kate wild and irish drum & bass producer zero t feature on the album for vocal appearances and remix work.

»absolute treasures« ist eine erweiterte wiederveröffentlichung des soundtracks zum vierzigsten jubiläum vom 1975 erschienen kult-musicalfilm »the rocky horror picture show«. das album enthält alle tracks aus dem film, auf rotem vinyl, von beginn an, einschließlich planet schmanet janet, once in a while, the sword of damocles und planet hot dog!

the apparition of spanish female duo las grecas with their gipsy-rock sound in the 70s created quite a boom in the spanish market at the time and paved the way for other similar gipsy-rock duos. morena y clara were one of them. launched by bizarre flamenco producer lauren postigo, they released a string of 45s and three lps (highly sought after now) for the discophon label. they mixed rumba, flamenco, psychedelic rock, funk and disco music featuring an amazing production (heavy drums, fuzz-wah-phaser electric guitars, moog, hammond) over the wild flamenco female vocals of the duo. featuring their psychotronic hits like no llores mas, deje de quererte, buscando alegria and more.

heres an anthology dedicated to the 70s period of dolores vargas, known as the earthquake due to her wild and frenzied dancing style. in these songs, released 1970-1975, youll hear killer sound and production mixing funk, rock and pop with the powerful vocal style of the earthquake. including real gipsy-funk bombs like a la pelota anana hip or la hawaiana along with her bizarre cover version of chirpy chirpy cheep cheep and much more.

marco resmann returns to watergate after a productive stint at the red bull music studios in cape town with two stellar cuts featuring local heroes deep aztec and black soda. tack on a remix from the one and only oliver huntemann and another revision from resmann himself and you have the ‘babylon side ep. teaming up to kick things off, resmann, black soda and deep aztec embrace the cultural sounds of africas organic percussion and vocal prowess to create a tour de force tune perfectly balance between flashing club lights and vast open skies. following suit, ‘abadala sees marco again with deep aztec for a lush ride into deep emotional spaces by applying mesmerizing syncopated rhythms and spellbinding vocals ideal for deeper or more sentimental dance floor moments. up next is techno legend oliver huntemann who, playing after resmann earlier this year at the 15 years of watergate event at warung beach club in brazil enjoyed his set and the two hit it off, so logically he was asked to lend his trademark sound for a revision of ‘babylon side and he twists the original into a heavy techno belter complete with sinister sonics and fever inducing sirens. wrapping things up is marco resmann himself with his own take on ‘babylon sides and delivers a wild and twisted version of gargantuan low end and psychedelic shimmers of the original vocal resulting in a killer tune with a ton of attitude.

much may have changed over a two-decade period, but drumcode s commitment to releasing the scene s most cutting-edge and refined techno remains resolute. 2017 has already seen releases from adam beyer vs pig&dan, alan fitzpatrick, ilario alicante, julian jeweil, as well as a debut album from layton giordani. the label continues push forwards, bringing fail-safe, club-ready music to the techno community. perennial pushers of the techno envelope, dense & pika are renowned for their standout studio output that seems to constantly conjure up a particularly unique take on their distinct sound, d&p have rather outdone themselves in 2017. kicking off the year with a selection of back catalogue remixes from the likes of danny daze, scuba, slam and yotam avni that illustrated the high esteem in which d&p are held by their peers right across the spectrum, from heritage acts to current headliners and cutting edge talent, the duo have gone on to drop bomb after bomb after bomb. their universally lauded remix of tiga s louder than a bomb was the first of a run of chart topping cuts, with a remix of me & her s wild rage on jamie jones hottrax imprint and their own casino single both challenging the norm of what techno sounds like in the here and now. cooked up with a more melodic vibe and fusing elements of house and techno, dense & pika s latest outing on drumcode offers something different compared to their previous work. there is still that vintage feel to each of the tracks with analogue sounds and arrangements born and developed from experimental studio jams. indeed, suki heavily utilizes the distinct harmonic tones of the dave smith prophet 8 keyboard. while little sun - a staple of d&p performances over the last three months - delivers a more classic drumcode sound. lanky closes out the release with an infectious slab of wonderfully wonked-out raw funk

inflicted releases # 1, 3 & 7 all bundled up for one special price!

the 1978 album from judas priest back on heavyweight 180 gram vinyl

ultra-rare gems extracted from 45s and 78s records released in the 1950s and early 1960s by obscure record labels! a collection of fast, hot and intense latin songs played by cuban, puerto rican, venezuelan, mexican and north american wild dance orchestras. recorded in the 1950s / 1960s and originally released on vinyl and 78rpm shellac records. savage bongos, volcanic trumpets, atomic rumbas, mambo inferno and wild conga for a successful party of exotic ecstasy!

its ya boy cherrrrrriep (sure-eep! say it with me now), one of torontos finest purveyors of basement jackin, turn up the bpm and let the wild times flow, dance trax. taking inspiration from the time honored traditions of the american mid west, we go straight to your dome on this one with a northern take on all things booty.

the 1977 elo album back as 40th anniversary double picture vinyl

die 80s pop annual edition beinhaltet die wichtigsten titel der 80er jahre auf 180 gramm vinyl. bei 30 der besten songs des jahrzehnts sind künstler und hits wie wake me up before you go-go (wham!) / footloose (kenny loggins) / kids in america (kim wilde) / girls just want to have fun (cyndi lauper ) / heaven is a place on earth (belinda carlisle ) und viele weitere vertreten. diese zusammenstellung ist exklusiv nur als vinyl-edition erhältlich.

alexander kowalski has been immersed in techno for a long time, and his sound is massively representative of the reduced, late night berlin sound. as d_func. he s contributed many times to marcel heese s finitude label, and now he s back to pay tribute to uk free party techno legends spiral tribe. kowalski s own interpretation may be more minimal and hypnotic than the wild, raucous energy spiral tribe was best known for, but his trancey approach comes on like a nostalgic vision into the early 90s, while also aligning with the modern masters such as donato dozzy and peter van hoesen.

with the quality of the original-tracks ep we had to provide the best remix(es) ep we could. that s why we chose to work with incredible artists such as nebraska , black loops , the almighty jay haze & fellow-lithuanian producer bal5000.

30th anniversary edition of the legendary inxs album. half speed mastered at abbey road studios, cut at 45rpm, pressed on double vinyl, housed in a gatefold sleeve.

1987s kick lifted inxs to an new level and firmly established the band as a force to be reckoned with, sending 4 singles - >new sensation<, >devil inside<, >need you tonight< and the timeless ballad >never tear us apart< - straight to the charts. the rest of kick, especially >guns in the sky< and the groove filled >wild life< remain ever popular with fans.
this 6 x platinum selling album a remains a classic, with artists covering tracks from the record to this day. kick is released as 180 gram heavyweight vinyl lp in gatefold cover

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,,,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival – the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

frisches deutsch hip hop album mit funkig / groovigem live feeling

temple traxx is my brand new label specializing in material from the early days of techno and house. at the time i was living in nyc and ran the electronic record shop temple records and a weekly techno party called “killer” at legendary save the robots. i was releasing my music on force inc./mille plateaux, djungle fever/structure (now kompakt) or harvest/emi for europe and in the states with smile communication, direct drive, or freddy fresh’s electro imprint socket, besides my own temple records nyc, super-8, and el turco loco labels. now, 22 years later, i am excited to curate a new outlet for sleazy-machine-music called temple traxx in homage to the pioneers and early electronic music community i still call my friends: jammin’ unit, dr. walker, who together form air liquide, kerosene, dj silver (paolo dinola), bolz bolz, alec empire, freddy fresh, mike ink, and bionaut just to name the closest circle. all re-edited and freshly mastered. “bad computer” was originally released in 1995 on temple records nyc and is now the first 12” on temple traxx. produced by brother jammin’ unit, who also signed for re-mastering, and myself as bizz o.d. in wild pitch matters. cube 40 was always meant to be the ramones of techno by repeating the same track idea over and over. compare with “you make me function” and you’ll get the idea. currently in the temple traxx pipe-line: mass-turbator “s/t”, jammin’ unit “remote car baby”, khan & walker “schleichfahrt”, 4e, and captain comatose “$100” old and new mixes.

curtis mayfield’s iconic debut album from 1970 available on vinyl again.

20 tracks from the limited event series on red & black double vinyl, housed in a gatefold sleeve with poster included.

to know whats up right now, we must understand what went down in history rave history: easily one of catz n dogz most evocative, classically-informed and ferociously euphoric pieces of work to date, this is a celebration of every black wax brick laid in the foundations of dance music culture. every hand that was ever raised in sweaty exultation. every stranger whoever got hugged on the dancefloor for no reason but pure love for the moment. every whistle. every horn. every damn time. from its quintessential break to its iconic vocal via its sizzling bass-heavy groove, ‘rave history is the ultimate finale piece, a show-stopping opener or a wild mid-set excursion. it resonates with everything thats relevant now and everything thats ever been relevant. loaded with pure positivity, this will complement any style of dj set, any crowd, any age, any country. this is our dna. for added euphoric stimuli, the szczecin boys have also thrown in a kickless hype tool in the form of the feel-heavy life mix. choral pads, cascading fx, dramatic one-strike piano notes, splashing cymbals and that almighty vocal sample that comes with one essential message every single one of us can raise our sweaty hands and hug strangers to: no matter how weird things feel in the world right now, when were together with like-minded dancing neighbours, everything is going to be all right.

wait for a repress! af welcomes pye corner audio for its 10th release. 4-tracker of raw acid jams from the oppressive mind of martin jenkins, the man behind the operation. island of ghosts includes a wild electro remix by finnish duo morphology. needs no introduction: brutal and beautiful.

the debut dub syndicate set from 1982, pre-dating the involvement of mainstay style scott. this features various members of creation rebel and african head charge turning out a wild dub set, with hard-hitting rhythms and fx-mutated melodies phasing in and out of the mix . recorded quickly with track titles cheekily poking fun at the contemporary series by the scientist which pitted him against various b-movie foes. the tunes themselves however are deadly serious, with version excursions on some classic on-u vocal cuts such as “bedward the flying preacher” and “across the red sea”, and a continuing commitment by producer adrian sherwood to take his love of reggae and filter it through his exploratory and uniquely english approach. re-cut at dubplates & mastering in berlin. includes download card with bonus track and sleevenotes by steve barker (on the wire)

the darkness at dawn ep channels a dystopian wild west from the astral plane, a blurred out trip into subdued euphoria, pitched amens, darkcore stabs and psychedelic blues drenched dub. released on digital and heavyweight (180g) black vinyl, shrink wrapped and housed in a full art reverse board sleeve featuring an original illustration by artist and label owner alex eveson (dead mans chest).

infinite density – the new album by the berlin based, cuban-american artist blush response – is a fantastical exploration into the depths of industrial and ebm techno in collaboration with techno frontman adam x’s infamous imprint, sonic groove. influenced by the progressive noise of autechre, front line assembly and skinny puppy the producer has previously released with aufnahme +wiedergabe and ant-zen, as well as getting his hands dirty with programming work for the industrial pioneers fear factory, rhys fulber as well as latin pop singer cristian castro. infinite destiny takes a firm grip on situationally influenced content, pulling every corner of berlin into its belly for a challenging and unique sound – a sound that’s able to maintain functionality whilst simultaneously exposing loose wires of wild flangers and disturbed sampling. these erratic waves are expressed through the productions infinite density, aum shinrikyo, survivor guilt and dead still air, showcasing the most alien meta-bodies of blush’s sound. as an appropriation on contemporary acidic sound, the sonic motions of serpentine and tryptamine delve into explorations within the acid genre. rhys fulber’s string contribution on painkiller initiates a whirlwind rhetoric of distortion. panic stricken, no solace and tessellate focus on strong industrial pads that carry the density of each track whilst infinite dread’s ebm back bone hits hard with heavy arpeggiation. crucial to its form, the album showcases new experimental sound that repurposes algorithms of today’s dancefloor dogma. blush response exposes these paradigms through mutated build-ups and drops. however, his innovative “modular synth heavy” sound design obscures the flow in a way that permeates the concrete arenas his productions are designed for – in true berlin style.

a one of a kind track with a totally unique groove and a bass line not coming from this world. the dx sound that makes the track so powerful sounds like some kind of mutant machine that is going wild and the sublime combination with the robert owens vocals makes this a highlight in the history of house music!

limited 2 disc 180 gram pressing with download code included. all tracks on vinyl 2 recorded live in new york city.

40 carreer-spanning hits from the steve miller band - peronally selected by steve miller, including previously unreleased tracks. deluxe edition on 180 gram 4x12 inch vinyl, housed in a gatefold sleeve.

22 carreer-spanning hits from the steve miller band - peronally selected by steve miller, including previously unreleased tracks. 180 gram 2x12 inch vinyl, housed in a gatefold sleeve.

strong remix vinyl, with hot mixes from lucy, sigha, twr72

das debütalbum des schwedischen dream-pop duos wy vereint markante gitarrenmelodien mit den kraftvollen vocals von sängerin ebba. die 10 emotionalen songs schwelgen zwischen sanfter melancholie und hoffnung. limitierte lp-auflage auf milchig-transparentem vinyl.

originally released in 1973, dream on dreamer is a fine collection of songs. it was the last album to feature guitarist and songwriter robbie van leeuwen, all the songs are written by him. the arrangements are simple, the sound is tight and the playing solid. highly recommended to all shocking blue fans and anyone who wants to hear some of the best hidden gems in rock music history.
remastered audio 180 gram audiophile vinyl.

airhead has put out some great music this year. kicking off with the radiophonic ice of kazzt for mumdance s different circles and just recently the low slung cristobal on ps records his production chops get bolder by the minute. it s no surprise seeing as he spent much of the previous year producing key tracks for the incredible -1-800 dinosaur presents trim- album alongside bullion and boothroyd as well as regularly touring and writing with long-time musical partner james blake. back with another 12- on hemlock, his first since 2014 s rolling october / macondo this time the sound is dustier, warmer, but packing twice the punch all the while retaining his signature understated wild-man groove. both tracks are capable on dancefloor whilst richly layered, packed with detail and arranged for maximum connectivity with contemporary beat styles such as house, techno and breaks. what happened to ricky martin? shaded is the twisted latin stepper you didn t know you needed, so much, right now. polished drums dug into a tweaky sci-fi soundbed make way for the curveball drop not every dj will be able to style out but those brave few that do will reap the reward. captain, we have an incoming transmission. by now, antipolo will be on the long-range scanners of a several fleets in this sector and is finally ready for replication and deployment. beaming out to the far reaches of the dancefloor we have bass, breakbeats and synth hooks but not as we know it together forming an advanced composite bond of extreme strength and malleability.

2016 has been a good year for re-editor evil smarty and here pops up on tonbe s disco fruit imprint for the first time on vinyl. this is is a low-slung disco shuffler turned into a toughened-up house roller. if it feels good sees him in a celebratory mood (think sing-along disco funk with swinging new locked-in drums). feel the fire is a superb re-cut of the osmonds i,i,i that benefits greatly from some fresh new acid lines and the get down, a killer, 98 bpm funk revision that makes great use of the source material s urgent, impassioned vocal, bluesy guitars and wild synthesizers

the 1980s. neo-liberal excess. crumbling communism. military juntas ruling with an iron fist. and of course, freaked out music. contort yourself are turning back the clock and returning to an unholy fount of inspiration with -80s underground cassette culture volume 1. a buffet of beaten up and brutalised tracks are on offer from unknown outfits and respected experimenters. across two lps expect to find noise reductions, post punk bitterness, no wave grunts, distortion soaked strings and vocals lost in a hail of pain. a road map into the weird and wild world of diy back alley artists who, armed with only a tape and an idea, gave the established music norms a sharp fist to the throat.

the new album from p!nk as double vinyl in gatefold sleeve.

moscow based multi-talent impish presents the hush lp, his latest album project that will be released through all quality physical electronic music outlets around the world october 20. working through labels such as program, c.i.a. and his own fast rising occulti music imprint impish is quickly establishing a name for himself in the global drum & bass scene. in a world that consumes more and more music in a superficial way impish manages to take a halt on the hush lp with timeless songwriting, arrangement and production inspired by live music and drum work. from effortlessly rolling tracks such as can’t feel and shadows towards more introspective vibes on changing colours and the lp’s title track a common thread runs clearly throughout the album: the aim for perfection, true craftmanship and a drive to combine to high-quality beats and breaks with musical elements. to aid the budding artist in spreading his ethos uk based female vocalist kate wild and irish drum & bass producer zero t feature on the album for vocal appearances and remix work.

auf hans-peter lindstroms neuem album scheinen wieder die nordischen disco-lichter. benannt nach einem zitat aus ingmar bergman s arthouse-klassiker wild strawberries, vereint das werk die besten momente des cosmic-disco-produzenten: seine balearischen free-disco-exkursionen mit prins thomas, die experimentellen trips mit dem genialen todd rundgren, schillernden electro-pop mit vocals von grace hall (usa) und frida sundemo (schweden), dazu bewusstseinserweiternde poesie von der norwegischen ausnahmekünstlerin jenny hval. eindeutig seine vollkommenste arbeit bislang!

on the spectrum does, new york avant-rock musicians che chen and robbie lee create three earthy and slow moving pieces, informed as much by various global folk traditions as they are by 20th century composition and improvisation.their ‘anything goes approach to improvising leads to a sonic document that sounds raw, intense and freshly exciting. a wild and shambolic brew sounding like nothing else.

memento records is proud to announce the licensing of -brain freeze-, originally produced by carl craig as tres demented and released on his legendary planet-e in 2006. for this exclusive re-issue on memento, carl s original stems have been remixed and rearranged by luciano. his additional production has tuned up -brain freeze- into an even sharpened peak-time weapon, rich of intense sequenced synthesisers and thrilling breaks rotating around a fistful of crushing cuts of the original voice hooks. the original mix is a memorable dark, relentless, acidic track pervaded by the wild shouts that have defined the tres demented project, a never ending ascension of attracting percussions and funky bites, running now on the wide grooves of the whole vinyl side.

released in 1974, téo azevedos first album grito selvagem (wild shout) is an irresistible blend of soul and rock with an unmistakable brazilian character. as many other lost gems of time past, the album found little commercial success, and still during the 70s teo turned forever to the true brazilian popular music the forró, the roots of sertanejo and the rhythms and traditions of brazils often forgotten countryside becoming, from then on, a genuine cultural reference in brazil not only as musician and composer, but also as a poet and researcher of popular folklore, being awarded the grammy latino prize in 2013.

we welcome another romanian act vinyl speed adjust. no need for introduction, this 2 guys have done enough amazing productions and releases on different and much respected labels around. if you have been to sunwaves this year you probably have heard tracks from this ep played by petre inspirescu and others.

the 1984 album from boney m back on vinyl with high-resolution mastering from the original source.

this time is ricardo rodrigues aka industrialyzer who lands on the court of damon wild with three tracks perfectly aliened with the label s philosophy, synewave has been at the service of real techno for over 20 years. it all begins with analogue planet a 130 bpm journey which rouses the dance floor whilst stimulating the mind, giving both of them no mercy. the second track, -multiple walls-, carries the flavour of an old school small march with a hammondesque synth which revolves around the groove from beginning to end. the atmosphere becomes dark and acid in the third and final track on this release. orbit x is an emotional roller coaster which develops in different phases, everyone of which takes the listener by surprise. with this release industrialyzer reminds us that, after all, new york, detroit, chicago, berlin, amsterdam or lisbon dont really matter, quality techno is a global affair and synewave consistently confirms this with releases above all schemes, movements and trends. monumental.

a breakthrough artist who has had a massive 2017 to date, or:la returns to hotflush with three new tracks and a remix of limbosoup (from her debut hotflush ep last year) by detroit’s fit siegel.
following the launch of her own label, deep sea frequency, and a standout boiler room appearance, this new batch of fresh material cements or:la’s position in the uk underground. taking cues from influences ranging from classic jungle to post-dubstep, farewell 24 offers more evidence as to why so many have tipped the derry producer for great things. and to round things off, we are very excited to include a razor sharp remix from the one and only fit siegel, one of our absolute us favourites.

»legend: the best of« enthält die 20 wichtigsten songs von suzi quatro, die in den siebziger jahren zu den erfolgreichsten weiblichen rockmusikern gehörte. die us-amerikanerin hat zusammen mit dem produzenten micki most (rak studios) 10 uk-top 40 singles geschrieben, inkl. der nr. 1 singles »can the can«, »48 crash« und »devil gate drive«. alle songs wurden neu remastert.
limitierte pressung auf goldfarbenem doppelvinyl.

thomas brinkmann is one of the great producers of techno music and modern dance music. he initially gained notoriety in the experimental electronic music and techno community for his full-length variations of material by wolfgang voigt under his mike ink moniker, and richie hawtin. the variations were made by playback of the original artist records on a turntable of brinkmann s design, which has two tone arms with separate outputs for left and right channels. the turntables were then pitched down from 33rpm to 27rpm and the results recorded and mixed. both voigt and hawtin were sufficiently impressed they released the results on their own labels. since then thomas brinkmann has produced some all-time classic dance tracks, many of which are collected here in what is a personal selection by thomas brinkmann himself. there are unreleased tracks, different versions, and tracks that have never been released on vinyl. a full colour 20-page book with track notes by thomas brinkmann and photos from his personal collection is included. limited edition box. highly recommended! ean4050486123461

all the beats, tracks, and harmonies that vega records release have a story behind them, “union dance (louie vega remix) - dj clock featuring madame-x’s” begins where most great things do as far as we are concerned.... under a mirror ball in a dark club! one night, (well really early morning to be honest) while louie vega was vibbing in the booth, listening to timmy regisford work it out for a packed nyc dance floor a wild beat caught his ear. as louie looked over and saw the crowd confirm exactly what he felt he turned to timmy with a smile and said “that beat is hot, let me get that”, and from that moment union dance’s story began with louie vega.